This ongoing piece of work looks at the boundaries between embalming and enmasking: being in a skin and under a skin, in and under a mask, looking at a mask and seeing through a mask as something that equally changes one’s gait and one’s voice while playing with sensations of displacement and transformation. It treats the human face less as a façade but rather as an object that – even though central to our understanding of what it means to be human – is only ever in the process of approximating a subject: being filled by a subject, worn on the face of a subject. A process of becoming invested with meaning that might happen during the encounter with an image-object, possibly inverting the relationship of who sees and what can be seen.