Laia Abril, A History of Misogony, Chapter two: On Rape and Institutional Failure

© Laia Abril, Ala Kachuu, from the series A History of Misogyny, Chapter two: On Rape and Institutional Failure.

In partnership with the V&A’s Parasol Foundation Women in Photography Project, Photoworks are excited to announce the first UK exhibition of Laia Abril’s, A History of Misogyny, Chapter two: On Rape and Institutional Failure, at the Copeland Gallery in Peckham, London.

A visual history of misogyny spanning over 2000 years—focusing on the pervasion of rape in societies around the world—is presented through photographs, written testimonies, historical archives, alongside popular and traditional beliefs in the first UK exhibition of Laia Abril’s A History of Misogyny, Chapter two: On Rape and Institutional Failure.

By looking back at history, I could identify gender-based stereotypes and myths, as well as global prejudices and misconceptions that have prevailed and perpetuated the culture of rape. Through painstaking research on the shortcomings of justice and negative attitudes of victim-blaming, this work is a personal analysis of cultural, social and political contexts around the world, that still normalise sexual violence.” – Laia Abril

The images on display range from photographs of biblical rape maps to battle trophies, buildings which held rape camps, chastity belts and fear detectors. Contemporary, first-hand written testimonies are presented alongside black and white photographs of victim’s clothing, juxtaposed with victim-blaming quotes from figures of authority. Collectively, these images visualise the origins of gender-based violence, societal stigmas and the failing structures of law and order which continue to perpetuate rape culture. Through these photographs, data, curated objects and installations, the exhibition foregrounds rape as a weapon of war, the culture of forced marriage, the fake construction (or reconstruction) of virginity, privacy in the age of social media and the ‘rape schedule’; how women reconsider their daily routines to protect themselves from potential harm. The project draws together multiple examples, from biblical times to the present day, which evidence the systemic control of women and their bodies, and how ineffectual action from institutions has failed to protect or prosecute.

Abril was inspired to create On Rape and Institutional Failure by the ‘Wolf Pack’, a high-profile legal case in Pamplona, northern Spain, in 2016, which involved the gang rape of an 18-year-old woman by five men and the victim’s subsequent public shaming. The exhibition, and accompanying book subvert the victim-shaming narrative, and instead examine the complicity of law enforcement, healthcare services and religious groups in protecting perpetrators and in cultivating the pervasiveness of ‘rape culture’.

Presented in collaboration with Photoworks and the V&A, as part of the V&A Parasol Foundation Women in Photography curatorial programme, the exhibition emphasises the V&A’s commitment to championing contemporary photography and supporting women in the arts. The exhibition is accompanied by a public programme of events investigating the culture of shame and violence against women.

Exhibition runs from 10 – 27 November 2022
10am until 6pm.

Accompanying book published by Dewi Lewis Publishing.
Queries email parasolwomenphoto@vam.ac.uk