Only when I got to fifty did I realise I was Cinderella 1984, in collaboration with Rosy Martin. Jo Spence © The Jo Spence Memorial Archive, Ryerson Image Centre, Toronto, Canada.

Jo Spence: A Woman’s Place?, an exhibition spotlighting the ground-breaking phototherapy work of the celebrated British photographer and feminist Jo Spence (1934–1992), provides an intimate and powerful look at Spence’s exploration of the roles and experiences of women within society.

Jo Spence was not just a photographer but a cultural critic and activist who used her medium as a tool for emotional and political self-exploration. A central aspect of this exhibition focuses on Spence’s practice of phototherapy, developed primarily with collaborator Rosy Martin. Spence’s phototherapeutic sessions combined photography with therapeutic practices, allowing her to confront the deeply personal and often painful aspects of her life in a social context that sought to marginalise and silence women’s experiences. The exhibition shines a light on Spence’s engagement with the complexities of womanhood, class, sexuality, and health, addressing themes often left unspoken.

To find out more please go to the direct link.