Photography‘s future perfect
From the beginnings, photography changed the relation of humans to time. In its pictures, the present was translated into a future past. On closer looks however, and with some attention to the practices photography is part of, it turns out that the connections between photography and time are more complex than the common Read More
Are you an artist, activist, educator, musician in the Helsinki area or beyond (Scandinavia, Eastern Europe, Baltic Countries, Russia, etc.)? The Suoja/Shelter festival invites participants to propose projects the 2019 Shelter Festival: Cosmopolitics, Comradeship, and the Commons, a three-day convening for all those working at the intersection of deep ecology, climate resilience, environmental philosophy, ecofeminism, Read More
St. Petersburg, European University in St. Petersburg, Russia
Maria Gourieva, Olga Davydova, Natalia Mazur, Daria Panaiotti, Friedrich Tietjen
16.05.2018 – 18.05.2018
That photographic media, in one way or the other, record, depict and represent truth, realities and the past, is a staple. In theory this relation has been called into question, in particular with the Read More
First International Moscow Art Book Fair of independent publishing houses, artists’ books, zines, monographs and periodicals.
Registration is open to everyone who runs an independent publication, works as an independent publisher, etc.
Deadline for applying is March 20th, 23:59 h. Moscow time. MSK (UTC+3)
Publishers must be present in the fair which will take place from April 14st Read More
We are very excited to announce submissions are now open for our upcoming photobook show in Russia.
We invite people to submit photobooks at any stage of production and distribution, from handmade prototypes and dummies, to one off, published and self published photobooks. Check out our shows page to see previous editions.
I Book Read More
After Post Photography — 3
With the third edition of After Post-Photography we will continue to explore how photographic images and realities – whatever they may be – are interconnected. We share the post-photographic critique that these connections are by no means stable as concepts such as indexicality suggest. Yet in particular the practices of using Read More
With the third edition of After Post-Photography we will continue to explore how photographic images and realities – whatever they may be – are interconnected. We share the post-photographic critique that these connections are by no means stable as concepts such as indexicality suggest. Yet in particular the practices of using and perceiving photographic images Read More